"These works expand upon my long-held interest in light and abstracted nature to dig deeper into my emotion facing the detrimental human impact on the environment. While heartbreaking images of fire serve as the sources for the paintings, I use metallic paints as a reference to the practice of Kintsugi, the ancient Japanese art form of mending cracked ceramics with liquid gold..."

"I’ve been an artist for as long as I can remember. I have always painted. I grew up in New England and always travelled with my family as a young girl, so I feel I was exposed to the world. I grew up with hearing loss, and I think that made me hyper-focused on art and practice..."

"Katherine Miller's paintings, Monologue and Conversation, splash color over an entire wall. They are 'environmental in nature and metaphorical in emotion' in the words of the artist. The works are process-driven, and the absolute up-front quality of the brushstrokes and bold use of color animate the surroundings..."

"...Her most recent series, 'Liquid and Luminosity' (in a mixture of oil and acrylic) exemplifies both her artistic philosophy and process. 'I tend to travel and bring inspiration back and then begin to process,' she says. 'I’ll use photos, sketches, colors, and these pieces will end up in the paintings.'”

"I deconstruct my work by starting with some kind of reference to the land or natural elements.  As I build the painting through composition and gestural movement, I turn my painting around, and paint from all sides until the painting works each way, in terms of the visual language.  Each time I turn the painting, the language changes and becomes fresh."

"I am a traditionalist in that I love really good drawing and painting, but a modernist in how I use my line and brushstroke in my paintings. I paint in oil on canvas and occasionally acrylic. Oil is my love though, because of the sensualness of the paint. I paint because it’s a language I understand."